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Frieze Masters, appropriately named, focused on galleries representing artworks created before the year 2000, giving a unique view on the relationship between old and new art when visiting both fairs.
I attended Frieze Masters solo which enabled mindful focus on my vision, emotion and thought. There is something special about these modern artists, perhaps it’s the hunger for passion they craved that produced this wave of Avant-garde. New and unusual or experimental ideas depicting stills and portraits to existing in thought or as an idea but not having a physical or concrete existence as within abstract. This fair was special to me, I saw as many Fontana’s I had never seen before, Miro’s with the dreamiest pastel hues, Matisse’s with charcoal on paper that depicted the most feminine curves, Fontana’s signature profound cuts and oh the red was just exceptional! I took my map and started “snaking” around the fair which was Very well composed and pleasant to navigate. I stumbled upon 24 memorable galleries with excellent works, but I have chosen my top 10 to share with you. Here are my favorite artworks from this year’s Frieze Masters.

Lucio Fontana
Concetto Spaziale, Attesa, 1966

Henri Matisse
Standing Nude (recto/perso) 1951

Joan Miro

Helen Frankenthaler
Fire, 1961

From left to Right:
James Nares - So Be It, 1999
George Rickey - Column of Five Lines with Gimbal II, 1990

Dorothea Tanning
A la dérive, 1967
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